Those two men are grips for the theatre. Why? I got started thinking about what kind of non-performers the Minerva Theatre must have. Like Ed the Lighting Technician,

I don't especially like this storyline. Not so much because of what it is, but because of where it is. It doesn't need to be here, so close to the end.

But, as I've mentioned earlier, I was getting closer to the end of the comic. Even if I didn't realize it, I know I felt it. I didn't want to end it, but I wasn't able to continue it. That's why there's two weeks here on Nina and Peter.

I remember Isabel suggested the idea. I think I wrote it. To repeat myself a bit, the goal here was to write something to keep things moving. If I didn't, there was a very real possibility the comic would've slowly faded away. She was instrumental in making sure the comic ended, and I mean that in a good way. If it weren't for her insistence, the comic would've just stopped updating.

    

So long, it's been good to know you Where we are and how we got there Unlike Minerva: Under Siege When Peter met Nina A Talk No Sleep Blues A journey Unlike Minerva presents a Fairy Tale Meanwhile... Love Nina Again Meanwhile at the Theatre (Art Week) Something Else Vaudeville Clearance You Must Learn All Night Long Emily Partnership Peter's House Guest week Prince Belac Mercury Ghost Hunt Sorcery Hodges Nina Haunted Library Videogenesis One Page jealousy Tripwire 2000 Actless You Get Brighter Ryan in Disguise (with glasses) Kiranga Spycraft As transitive as a verb Sofia's Descendants Sofia vs. Caleb Kimberly vs Brisbane The Impressive Trap The Tell-tale Watch True Love Cheap Laughs Meanwhile in France Prelude